3 things about the brioche topper (to start the year)

Brioche Topper by Laura Nelkin is my first FO for 2018.  It was also my last FO for 2017.  Lucky for me  (Thing 1):  The Brioche Topper is a fun knit.
It's a perfect Three on Thursday post because...I knit it three times.  Above: the final, version 3 .
It was a gift for sister Lulu, she wanted something chunky, and I thought I'd supersize the aran weight pattern into something slouchier.

Above, a view of unravelling between V1 & 2.  

V1 was ginormous. Version 2 was smaller, but not quite small enough (I like loose hats, turns out sister Lulu does not, and to be fair, she's  petite) . V3,  knit Tuesday night, just right. 

 

Are you wondering which yarn I'm using for all this knitting, ripping out and knitting again. ? The hand dyed is a Wonderland Yarns Tweedle Dee Dum bulky weight merino  in the colorway January (nailed it! so. exactly. right). and the grey is Quince  Osprey. Both feel soft and squooshy and warm. Both held up fabulously to the re-do and the re-do of the re-do.

 It looks cute on her, right? --and  she showed up wearing  gift circa 2010 granny square scarf . 

I'll be knitting more of these.  Because it's a great design. Thing 2: The brioche section, which is essentially double weight, is great on the ears. Also if you like brioche but don't loovvvvve it, it is just a small section of the project. However, I DO I loovvvvve brioche, so I'm ready to cast on another brioche project.

My final version used size 7US needles for the brioche section and size 10US for the rest of it.  This 3 sizes difference is what the designer suggested. When I knit V1, I thought really full brioche would be better, so I used size 9 needles.  Nope! Duh! Listen to the designer! It was waaaay too relaxed.  

The very large V1. See how much poufier the brioche is compared to the top? Two heads could have fit in there. 

Thing three: this is a very well-written pattern, just follow the instructions and don't try to mess around with it like I did on V1 and V2--- you'll have a fab hat the first time around.

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Belated happy new year! December blogging was obliterated by my return to yoga plus holiday related activity. I'm not saying  I'll be back daily but I'll be here...more. 

And, in the interest of sharing BTS, here's the uncropped view of my top photo.  Usually I duck outside to make a quick photo on the porch but it's so freakin' cold out I just didn't want to.

So... here you see an old roasting pan, some paint chips I picked up to choose colors for painting the stairs and stairway walls (I guess their colorway is also January?)  .  I plopped it on a cabinet that gets decent light from windows nearby.  I'm getting very enamored of shooting on old baking trays. You'll see more of that this year, too, no doubt.

Stay warm fellow east coasters in the US! Knit a new hat today!

post 5*: Apple Tree Knits collection BTS

Behind the Scenes with Apple Tree Knits Fall Winter Collection - released just last week.  Here's the link to the patterns on Ravelry.  That's the Awestruck Shawl **by the genius behind Apple Tree Knits, Liz Capik, herself, knit in one of her gradient skeins.

We try to look serious in the photos but between shots, we crack ourselves up. Liz models her own yarn!  Usually when designers or dyers say they'd like to pose in their own samples I hesitate. It's a lot of pressure to be the client, the artist and the model, including looking fabulous. But she nailed it, right?

When Liz contacted me to start planning a shoot, she sent  a moodboard and said "autumn-ish" and Boho. And she is based in New Jersey.  Bingo. I knew we had to shoot at stylist/ creative director /writer Karin Strom's place near the Delaware Water Gap, and have Karin style it.  Done and done!

Except we shot on a hot August day, with the gardens still juicy...so we had to be careful framing to make sure you wouldn't know the season. In the shot above on the brick walk, we scavenged the yard for early fallen leaves to scatter for a cooler weather vibe.  I am not sure how Liz managed to look serene and cool through all ten pieces. Some people have all the skills.

See?  This scarf, Fluidity Life, is a fave from the shoot. Not just because of the styling :-). You know how it is very very hard to find a pattern that is interesting to knit and works with--not against- a variegated handpainted yarn. This one is a fun project--click on that link by the name- it says it's started in the round, then continues knit flat. An adventure.  Liz' yarns, if you've never seen them in your LYS, are sometimes  subtle and water color-y gentle in their hues. But she's got some punch, too. 

See how UN-autumn-like it was? That's Karin Strom on the left, and my cheezin' assistant Yliana on the right. She's wearing a hat we were handing in and out of the photo for a prop, you can see it in the photo above this one.  Liz is balancing on a bucket so I can shoot her at an angle to crop out the cheery green grass.  The big white reflectors are down to try to block off green from taking over and tinting the photo***. 

I can't only show bright colors when I loooovvvve the more subtle yarns Liz dyes. This ruana is a perfect example. All of the intensely speckled yarns that have become popular this season are fun but hard to wear in garment form if you're not a bright speckled person. If you know what I mean.  

Had to include this. The only downside of shooting at Karin's Victorian farmhuse property is I want to just wander around and make pretty pictures of all the little vignettes she creates there. That's a whole 'nother story. 

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and now the footnotes 

* yeah, so...the November daily blogging hasn't quite been daily.  I'm still trying. 

** That Awestruck Shawl is especially fab because she designed it to be knit with gradients and use every inch of the special yarn. You can keep going until you run out of gradient, and not waste any of a beautiful  skein, at whatever yardage you have. Love!

*** Getting on my photographer soapbox here: I often hear new photographers say "oh, you can just fix that in photo editing, it doesn't matter " -in regard to shooting with poor shadow detail, or in situations with a mixed light source that give a color cast. While it is true that you can correct, you will have much better images- and be a much better photographer--if you learn how to control light and color. You can make a flawed picture better in photo editing but you ain't never gonna make it great. Don't you want to make great photographs?

Ahem. Steppin' down! 

bts: at dragonfly fibers

Behind the Scenes again! I'm just going to warn you, many distracting yarn photos follow.  I was at Dragonfly Fibers studio in Maryland last month, for the loveliest of jobs, helping them set up a permanent photo studio at their workshop and business.

Kate and Nancye make stunning yarn which, distractingly, was everywhere in their headquarters. My head was swiveling around like an owl's the whole day oooh oooh ooooh.

Their yarn is  gorgeously dyed on beautiful bases, with brilliant and subtle colors.  So their photos need to be reliably lit and consistent, to share the goodness online. I love love love consulting jobs like this, where I can apply my little slice of nerdy-photo- knowhow with talented people.  It's mindboggling to look at all the parts to running a successful yarn business.

There's sourcing and ordering miles and miles of naked yarn--and then winding it into dye-able skeins. 

And of course the logistics of dyeing and drying  large quantities, and reproducing great colors time after time.  That blue with black in it, in the photo above this one,  just kills me. 

Then it all has to be patted and  twisted and tagged before it goes out into the world. Which seems like no big deal when you've just got ten skeins in a basket.  Scale that up to hundreds and hundreds of skeins...and there's a whole lotta twisting going on.

It's the organizational side that would kill me, personally. (That and choosing names for the yarns, which Kate has amongst her super powers). So many laundry baskets and storage bins ready to roll. Obvs prepping for Rhinebeck NY Sheep & Wool is going to require many many many bins.

Dragonfly Fibers doesn't have a retail shop at their studios but there is an area that is set up store-like, if you happen to be by on a studio visit. That's their colorway Beaches, which stopped me in my tracks.  Though I didn't bring those home with me, you'll be glad to know I didn't leave empty handed,. And I managed to control my chronic indecisiveness by choosing one skein and asking Kate to choose a second for me.  I'll share it in another post. Oh, ok... spoiler: my beauties are Low Tide and Poseidon, which tickles the mermaid in me no end.

A very very good version of  Christmas ? 

I swear this was just sitting around. Love love love love love.  We used their yarn in a couple of projects in our book , and I've since knit my favorite hat from Drop Dead Easy Knits, my Sidekick in their yarn.  Dragonfly Fibers yarn is stocked in many shops, and of course they sell online,  but if you happen to be at  festivals  this season...definitely stop by. 
PS. They are killing it with the new photo studio we set up, as seen on Instagram yesterday. When they launch a new website, prepare to be wowed!