Three skeins of Ellen's handpaints, for inspiration.
Woman knows her dye. She had at least a dozen stations set up, for DIY fun, animal or plant fiber, under her generous guidance.
Dye colors she had portioned out, for us to mix and match.
Here's the thing: I love color. I know color, I blab about color theory when I teach. I can light the hell out of color. Clients hire me because of the way I make things look in photographs.
In color. Guess what?I am really bad at dyeing.
How great is a master who gets excited about your attempts? That's Ellen Mason , next to wavy haired Kirsten Kapur, cooking up some skeins, in the mist.
Kirsten proves she's got dyeing chops.
My yarns pre-soaking. The white is a KnitPicks Bare chunky, the greyish on the left is an angora blend I had left over from edging this scarf,the brown is a gift skein direct from Peru. It's a nice fingering weight alpaca, a little dull.
The greyish yarn, using a jar method. You add different color dye as you layer the skein into the jar, and then cook it. I also had 6 skeins of the chunky white, in pots on burners: two different batches, trying to get nice, interesting saturated skeins. I mixed colors. With maybe too much abandon.
After the jar. Not awful. But also not great. Parts are too bright, some not saturated enough. The transitions are choppy. My other skeins? Inarguably awful.